{"id":4846,"date":"2017-12-29T12:45:40","date_gmt":"2017-12-29T12:45:40","guid":{"rendered":"http:\/\/fotografiaportugal.pt\/site\/?post_type=product&#038;p=4846"},"modified":"2020-09-19T11:47:38","modified_gmt":"2020-09-19T11:47:38","slug":"azulejo-emin-braga-largo-tempo-do-barroco-the-baroque-period-2","status":"publish","type":"product","link":"https:\/\/fotografiaportugal.pt\/site\/shop\/especial-braga\/azulejo-emin-braga-largo-tempo-do-barroco-the-baroque-period-2\/","title":{"rendered":"Azulejo em\/in Braga \u2013 O Largo Tempo do Barroco \/ The Baroque Period"},"content":{"rendered":"<p>Envio a efectuar via CTT com portes gratuitos (directamente pela editora para a morada indicada para entrega).<\/p>\n<p>Prazo previsto: Estima-se\u00a0um prazo de 2 at\u00e9 5 dias \u00fateis ap\u00f3s a data de envio para o cliente receber a encomenda.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3335\" src=\"https:\/\/fotografiaportugal.pt\/site\/wp-content\/uploads\/2016\/09\/capa190_Azulejo_Braga-190x250.jpg\" alt=\"capa190_azulejo_braga\" width=\"190\" height=\"250\" \/><\/p>\n<p><strong>Azulejo em\/<\/strong><strong><em>in<\/em><\/strong><strong>\u00a0<\/strong><strong>Braga \u2013<\/strong>\u00a0O Largo Tempo do Barroco\u00a0\/\u00a0<em>The Baroque Period<\/em><\/p>\n<p>Coordena\u00e7\u00e3o e Fotografia\/Coordination and Photography:Lib\u00f3rio Manuel Silva<\/p>\n<p>Texto\/Text:\u00a0Ros\u00e1rio Salema de Carvalho<\/p>\n<p>Pref\u00e1cio\/Foreword:\u00a0Vitor Serr\u00e3o<\/p>\n<p>P\u00e1gs:\u00a0216 (em capa dura\/hardcover, 24,5cm * 32,1cm)<\/p>\n<p>ISBN:\u00a0978-989-615-211-6<\/p>\n<p>1.\u00aa edi\u00e7\u00e3o\/1st edition:\u00a0Set\/Sep, 2016<\/p>\n<p><strong><br \/>\n\u00abConhecer melhor o patrim\u00f3nio art\u00edstico da cidade, e os seus azulejos produzidos durante a Idade Moderna, passa inevitavelmente pela li\u00e7\u00e3o deste livro\u00bb<\/strong><\/p>\n<p><strong>\u00abThe aim of this book is to offer an insight into Braga&#8217;s artistic heritage and an overview of the city&#8217;s azulejos produced during the Modern Age.\u00bb<\/strong><\/p>\n<p><em>Prof. Doutor Vitor Serr\u00e3o<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3336\" src=\"https:\/\/fotografiaportugal.pt\/site\/wp-content\/uploads\/2016\/09\/banner1_Azulejo-Braga-300x51.jpg\" alt=\"banner1_azulejo-braga\" width=\"300\" height=\"51\" srcset=\"https:\/\/fotografiaportugal.pt\/site\/wp-content\/uploads\/2016\/09\/banner1_Azulejo-Braga-300x51.jpg 300w, https:\/\/fotografiaportugal.pt\/site\/wp-content\/uploads\/2016\/09\/banner1_Azulejo-Braga.jpg 950w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h4>\u00ab\u00c9 esplendoroso o resultado desta \u00edntima colabora\u00e7\u00e3o entre o olhar da Fotografia e a vis\u00e3o anal\u00edtica da Hist\u00f3ria da Arte, porque nos permite constatar, atrav\u00e9s de p\u00e1ginas bel\u00edssimas e esclarecedoras, aquilo que parecia ser j\u00e1 uma evid\u00eancia e que agora melhor se comprova atrav\u00e9s das cerca de tr\u00eas dezenas de conjuntos estudados: a cidade de Braga conserva um dos maiores e mais not\u00e1veis acervos de azulejaria da \u00e9poca barroca que existem no pa\u00eds.\u00bb<\/h4>\n<h4>\u00abThe result of this intimate collaboration, combining the visual approach of Photography and the analytic approach of Art History, is astounding. A series of beautiful and illuminating pages point out what already seemed obvious, but is now confirmed by the analysis of twenty seven decorative ensembles: the city of Braga harbours one of Portugal&#8217;s widest and most remarkable collections of Baroque azulejos.\u00bb<\/h4>\n<h4><em>Prof. Doutor Vitor Serr\u00e3o\u00a0<\/em><\/h4>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"471\">\n<h4>Aplicado sem interrup\u00e7\u00f5es h\u00e1 mais de cinco s\u00e9culos, o azulejo \u00e9 uma das express\u00f5es art\u00edsticas que mais distingue o patrim\u00f3nio cultural portugu\u00eas. A rela\u00e7\u00e3o privilegiada que desde sempre estabeleceu com a arquitectura e com as outras artes confere-lhe um papel cimeiro na organiza\u00e7\u00e3o dos interiores de igrejas e pal\u00e1cios constituindo, mais tarde, um elemento diferenciador na paisagem urbana de tantas vilas e cidades do pa\u00eds.<br \/>\nEste livro apresenta uma perspectiva da azulejaria aplicada em Braga no\u00a0<em>largo tempo do barroco<\/em>, organizada cronologicamente, mostrando a singularidade de muitos exemplares do concelho, no contexto da totalidade art\u00edstica que os caracteriza.<br \/>\nTem in\u00edcio com os padr\u00f5es do s\u00e9culo XVII, avan\u00e7a para a narratividade e monumentalidade que identifica o ciclo da pintura a azul e branco, na viragem para o s\u00e9culo XVIII e que se prolonga por toda a metade dessa cent\u00faria, e termina com o per\u00edodo rococ\u00f3.<br \/>\nUns mais vis\u00edveis do que outros (alguns encontram-se em capelas particulares e outros em espa\u00e7os rec\u00f4nditos), os azulejos barrocos de Braga s\u00e3o agora reunidos e revelados neste livro, convidando o leitor a uma visita e a um olhar mais atento a este impressionante patrim\u00f3nio bracarense, que importa conhecer para melhor salvaguardar e legar \u00e0s gera\u00e7\u00f5es futuras.<\/h4>\n<\/td>\n<td width=\"471\">\n<h4>Used uninterruptedly for more than five centuries, the\u00a0<em>azulejo<\/em>\u00a0is one of the most distinctive elements of Portugal\u2019s cultural heritage. Due to its privileged relationship with the architecture and other art forms, it has played a central role in the organization of church and palace interiors, and went on to become an important part of the urban landscape of many towns and cities throughout the country.<br \/>\nThis book offers a chronological overview of the various tile decorations applied in Braga during the Baroque period, revealing the singularity of many of the city\u2019s\u00a0<em>azulejos<\/em>\u00a0and their connection to the Baroque ideal of artistic totality.<br \/>\nThe survey starts with 17th century patterned<em>azulejos<\/em>, moves on to narrative and monumental blue and white decorations, introduced near the end of the 17th century and popularized during the first half of the following century, and ends with the Rococo period.<br \/>\nBraga\u2019s Baroque\u00a0<em>azulejos<\/em>, whether publicly or privately displayed (some are found in private chapels or other remote locations) are now reunited and revealed in a single volume, inviting the reader to take a closer look at this remarkable artistic heritage, which must be promoted and preserved for the benefit of future generations.<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>AUTORES \/\u00a0AUTHORS<\/h4>\n<table>\n<tbody>\n<tr>\n<td width=\"471\"><strong><em>Ros\u00e1rio Salema de Carvalho<\/em><\/strong>\u00a0\u00e9 investigadora do ARTIS \u2013 Instituto de Hist\u00f3ria da Arte da Faculdade de Letras da Universidade de Lisboa, onde integra o grupo Az \u2013 Rede de Investiga\u00e7\u00e3o em Azulejo, da qual \u00e9 tamb\u00e9m coordenadora executiva.<br \/>\nActualmente desenvolve um projecto de p\u00f3s-doutoramento (com bolsa da Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia), dedicado \u00e0 quest\u00e3o das molduras no azulejo barroco, tendo como institui\u00e7\u00e3o de acolhimento o ARTIS (Az) e o Museu Nacional do Azulejo.<br \/>\n\u00c9 doutorada em Hist\u00f3ria, especialidade em Hist\u00f3ria da Arte, pela Faculdade de Letras da Universidade de Lisboa (2012), com a tese intitulada\u00a0<em>A pintura do azulejo em Portugal [1675-1725]. Autorias e biografias \u2013 um novo paradigma<\/em>. Em 2007 defendeu o Mestrado em Arte, Patrim\u00f3nio e Restauro, na mesma faculdade, com a disserta\u00e7\u00e3o &#8230;<em>por amor de Deus<\/em>.\u00a0<em>Representa\u00e7\u00e3o das Obras de Miseric\u00f3rdia<\/em>, em\u00a0<em>pain\u00e9is de azulejo<\/em>,\u00a0<em>nos espa\u00e7os das confrarias da Miseric\u00f3rdia<\/em>,\u00a0<em>no Portugal setecentista<\/em>.<br \/>\nTem desenvolvido investiga\u00e7\u00e3o na \u00e1rea do patrim\u00f3nio e, principalmente, na \u00e1rea da Azulejaria Portuguesa, com v\u00e1rios artigos publicados em revistas cient\u00edficas nacionais e internacionais.<\/td>\n<td width=\"471\"><strong>Lib\u00f3rio Manuel Silva<\/strong>\u00a0\u00e9 editor do Centro Atl\u00e2ntico, empreendedor e um grande apaixonado por fotografia de cultura e patrim\u00f3nio.<br \/>\n\u00c9 autor de cerca de 30 livros \u2013 em tr\u00eas editoras \u2013 sobre Hist\u00f3ria do Livro, Arte, Fernando Pessoa, Gest\u00e3o e Tecnologias, e de mais de 100 artigos publicados nos principais jornais e revistas portugueses. Fundou e dirigiu tr\u00eas revistas.<br \/>\nFruto de um longo trabalho de investiga\u00e7\u00e3o, prepara a publica\u00e7\u00e3o do segundo volume de<a href=\"http:\/\/www.centroatl.pt\/titulos\/artes\/bibliotecas\/index.html\"><strong><em>Bibliotecas \u2013 Maravilhas de Portugal<\/em><\/strong><strong>\u00a0<\/strong><strong>\/<em>Libraries \u2013 Wonders of Portugal<\/em><\/strong><\/a><em>, a sua obra seminal, bem como de A<strong>zulejos \u2013 Maravilhas de Portugal<\/strong><\/em><strong>\u00a0<\/strong><strong>\/\u00a0<em>Wonders of Portugal.<\/em><\/strong><br \/>\nEm Portugal, foi precursor da forma\u00e7\u00e3o em Internet (1994) e da cria\u00e7\u00e3o e distribui\u00e7\u00e3o de e-books (1999).<br \/>\nTem dez anos de experi\u00eancia como docente no ensino superior, uma p\u00f3s-gradua\u00e7\u00e3o em Gest\u00e3o, uma outra, internacional (EUA, Fran\u00e7a, Coreia do Sul e Jap\u00e3o), em Excel\u00eancia nos Servi\u00e7os e ainda a frequ\u00eancia num MBA de Com\u00e9rcio Internacional.<br \/>\nCome\u00e7ou a fotografar muito cedo, tendo recebido forma\u00e7\u00e3o na Cooperativa \u00c1rvore, o que o motivou para a cria\u00e7\u00e3o de um laborat\u00f3rio fotogr\u00e1fico dom\u00e9stico.<br \/>\n\u00c9 editor dos livros sobre fotografia mais vendidos em Portugal.<br \/>\nOs seus dois filhos s\u00e3o a sua principal fonte de inspira\u00e7\u00e3o.<\/td>\n<\/tr>\n<tr>\n<td width=\"471\"><strong>Ros\u00e1rio Salema de Carvalho<\/strong>, researcher at ARTIS \u2013 Art History Institute of the Faculty of Letters of the University of Lisbon, and executive coordinator of the Az \u2013 Azulejo Research Network, currently developing a post-doctoral project (awarded by Foundation for Science and Technology), dedicated to the issue of frames in Baroque tile decorations, hosted by ARTIS (Az) and the National\u00a0<em>Azulejo<\/em>\u00a0Museum.<br \/>\nThe author has a PhD in History, with a specialisation in Art History, from the Faculty of Letters of the University of Lisbon (2012) and wrote a dissertation entitled\u00a0<em>Azulejo painting in Portugal<\/em>[1675-1725].\u00a0<em>Authorships and biographies\u00a0<\/em>\u2013\u00a0<em>a new paradigm.<\/em>\u00a0She concluded in 2007 a Master\u2019s Degree in Art, Heritage and Restoration from the same Faculty, with the dissertation &#8230;<em>for the love of God. The depiction of the works of mercy in 18th century Portuguese tile panels<\/em>\u00a0<em>commissioned by the Brotherhoods of Mercy<\/em>.<br \/>\nCurrently focused on the study of artistic heritage, and particularly on the field of Portuguese\u00a0<em>azulejos<\/em>, Ros\u00e1rio Salema de Carvalho is the author of several articles published in national and international scientific journals.<\/td>\n<td width=\"471\"><strong>Lib\u00f3rio Manuel Silva<\/strong>, founding editor of Portuguese publisher Centro Atl\u00e2ntico (the national best-seller photography books publisher), is an entrepreneur with a great love of cultural and heritage photography.<br \/>\nThe author of some thirty books \u2013 with three different publishers \u2013 on subjects such as the History of the Book, Art, Fernando Pessoa, Management and Technology, and over one hundred articles published in leading Portuguese newspapers and magazines. He both founded and directed three magazines.<br \/>\nPresently Lib\u00f3rio Manuel Silva is preparing for publication Azulejos \u2013 Wonders of Portugal and the second volume of his seminal work:\u00a0<em><a href=\"http:\/\/www.centroatl.pt\/titulos\/artes\/bibliotecas\/index.html\">Libraries \u2013 Wonders of Portugal,<\/a><\/em>\u00a0the culmination of extended research.<br \/>\nIn Portugal, he is known as a pioneer of Internet training (1994) and of the creation and distribution of e-books (1999).<br \/>\nWith ten years\u2019 experience as a teacher in higher education, he holds a postgraduate qualification in Management, an international postgraduate certificate (USA, France, South Korea and Japan) in Service Excellence, and he attended an MBA in International Commerce.<br \/>\nLib\u00f3rio Manuel Silva took up photography at very young age and following study at the Cooperativa \u00c1rvore in Oporto, he created a photographic laboratory at home.<br \/>\nHis two sons are his main source of inspiration.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>\u00abConhecer melhor o patrim\u00f3nio art\u00edstico da cidade, e os seus azulejos produzidos durante a Idade Moderna, passa inevitavelmente pela li\u00e7\u00e3o deste livro\u00bb<\/strong><\/p>\n<p><strong>\u00abThe aim of this book is to offer an insight into Braga&#8217;s artistic heritage and an overview of the city&#8217;s azulejos produced during the Modern Age.\u00bb<\/strong><\/p>\n<p><em>Prof. Doutor Vitor Serr\u00e3o<\/em><\/p>\n","protected":false},"featured_media":3337,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[169,130,181,138],"product_tag":[],"class_list":{"0":"post-4846","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-azulejos","7":"product_cat-especial-braga","8":"product_cat-liborio-manuel-silva","9":"product_cat-photography-of-portugal","11":"first","12":"outofstock","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/product\/4846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/comments?post=4846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/media\/3337"}],"wp:attachment":[{"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/media?parent=4846"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/product_brand?post=4846"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/product_cat?post=4846"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/fotografiaportugal.pt\/site\/wp-json\/wp\/v2\/product_tag?post=4846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}